![]() ![]() ![]() Tracing these impulses into the 1970s, the thesis also challenges scholarly periodizations that present 1969 as an endpoint for social movements initiated in the 1960s. As artists responded to political and social concerns, they did so with reference to their own local conditions as both artists and residents of New York City. While these developments reflect the national context, the thesis argues that they need to be understood within their local setting. In doing so, they produced politically motivated art and performance, while participating in active protest, initiating museum reform, and engaging in community arts and education projects. During this period, overlapping communities of artists and art professionals sought means of providing a social meaning and purpose for their practice – one that addressed the political ruptures of the 1960s and 1970s, and challenged what was perceived as a classed, elitist, and socially disengaged art establishment. This study examines artists’ approaches to social change in New York City from 1966 to 1976. Keywords: race countryside culture leisure popular culture recreation But over a million fans attend more than 2000 demolition derby events every year, and as a site where values centred on nationalism, citizenship and class are practiced and critiqued I use the metaphor of creative destruction to explore the derby as a remarkable model of expressive culture and site of active resistance. And while emerging studies of whiteness do address ‘redneck’ as a racialised class category, and research on poor rural Americans is attracting more researchers, studies on leisure activity associated with rural whites is very scarce. That such language is used unproblematically in the public arena underscores the construction of the working-class white as embodying a complex mixture of racial privilege and class disadvantage. This population, often publicly referred to by terms like ‘white trash’ or ‘rednecks’, has also received relatively little scholarly attention. Briefly cast into mass consciousness by media coverage of the racialised 2008 US Presidential contest through a focus on the ‘Appalachian Belt’, the day-to-day experiences of rural working class whites tend to stay below the news radar. #Sublime spectacle yoko ono disrupting driversUsing data collected from ethnographic research at demolition derbies in New York, New Jersey and Pennsylvania, this article focuses on the language used by drivers for car-naming practices in response to epithets routinely associated with rural, working-class whites. ![]()
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